Some other beginning’s end

I’ve been meaning to post, but something (thesis) has always had to take priority over writing, so forgive me for the quiet weeks. My thesis is very much in the home stretch, and my advisor spent two hours on the phone with me on Monday night. She approved the chapter on the Penhallow bedspread, thankfully, making only a few suggestions to improve its flow, and she really loved the parts of it that I found most interesting, so that’s always gratifying. “Interesting” is a strange animal in grad school. To a professional scholar, “interesting” means “could write at least twenty pages about it, if not a book, and in my wildest fantasies, redefine the entire field.” It is the holy grail of sentiments.

In my copious spare time, I’ve gone on with Via Diagonale, and have about four inches on it now. It’ll be a Christmas present for one of my sisters, and I think it’ll look really good on the one I have in mind. If you’ve hesitated about this pattern because you don’t like colorwork or haven’t done the slip-stitch technique, I urge you to give it a shot. I really don’t like colorwork, and this is as painless as it gets. You never carry the yarn more than one stitch, so there are no concerns about too-tight (or too-loose) floats, and you only work with one color at a time, so the patterning is uncomplicated. Better still, you work MC-MC-CC-CC all the way up, two rounds of each, and the second round of each color is just purl of the first. You don’t even have to pay attention to the pattern after you’ve set it with the first round. And as it’s a repeating pattern, it becomes very easy to read the knitting and tell when you’re off or when you need to k3 or k1 instead of the most common k2, sl1.

I also wanted to pass on an opportunity for those of you who may do some stitching on the side, or have an interest in supporting a large needlework exhibit coming up at Winterthur. They are currently showing the Plimoth Jacket until January, and this fall will mount a large exhibit with the jacket in it, called “With Cunning Needle: Four Centuries of Embroidery.” Tricia Wilson Nguyen of Thistle Threads put up a very informative blog post about the challenges and expense of mounting exhibitions, particularly textile exhibitions (which nearly always have to be temporary, to save the objects). She has designed a small project to support the exhibit, a tent-stitch tulip slip that can be made into a very pretty pincushion. You can get the kits here and the directions here. Or alternatively, donate without the kit purchase by going here.

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4 thoughts on “Some other beginning’s end

  1. Congratulations on being so close to finishing your thesis!

    I’d love to read the Penhallow chapter, or even the whole thing, if you’d be willing to share it with us. I never did figure out where I read that blurb about it, but oh well 🙂

    I hope to convince my family to go see it in person too, next time we’re in Boston and can make a day trip of it.

    • I’ll be glad to send you a PDF! My advisor loved it. She also loved the bedspread history I integrated, and wants a similar section in the jacket chapter. I’m relieved those chapters turned out well. They were going to be a lot of work to revise if they didn’t.

  2. Though I need a translator for the more technical application info in your post, I love the beautiful pictures and how obviously passionate you are about your craft. Doesn’t hurt that you appear to have such a talent for knitting, embroidery, etc. I’m totally jealous!

    Good luck on the thesis!

    • I’m so glad you liked it, Barb! I know, I connected it with Ravelry, so readers from there are likely to be knitters and/or crocheters and I put in project notes for their benefit. I need to put in more pictures. I always mean to, but I’m self-conscious about my weak photography skills, and also end up forgetting to take more pictures of things I’d want to include.

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